ADA1500 Amplifier

If you tried to sum up the Axiom Amplifier philosophy in one phrase, it would be "You can never have too much power." We're not all talk, either: we crave power so much we decided to design our own amplifiers to get enough! The ADA1500 is a spectacular powerful performer that will enhance the dynamic realism of movies and music in your system.

Your System Is Starving

Without enough power, the dynamic scenes in movies lack the excitement of a movie theater experience. When your system runs out of what is called 'dynamic headroom', it often clips, adding distortion to the signal and deflating the sonic energy of the scene in front of you. But when you feed your system pure, clean power, those same scenes come to life with a realism you may have never experienced before.

Power isn't a matter of just 'loud', it's a combination of loud and clean that together create an impression of depth and dynamism, responding instantly to signals coming from your source material and ricocheting it back at you, driving your system to its full potential at last. Without distortion, you can turn the volume up and up and up without it ever becoming annoying because of amplifier clipping.

Satisfying the Hunger

Without enough power, the dynamic scenes in movies lack the excitement of a movie theater experience. When your system runs out of what is called 'dynamic headroom', it often clips, adding distortion to the signal and deflating the sonic energy of the scene in front of you. But when you feed your system pure, clean power, those same scenes come to life with a realism you may have never experienced before. Look beyond the amplifier's rated RMS watts-per-channel output to its power supply: home theater enthusiasts know that it takes strength and suppleness to deliver power to multiple channels all together, and the ADA1500 amplifier delivers both. By combining a class-D amplifier with a toroidal transformer and a large storage capacitance, you have the muscle you need to deliver power where it's needed, when it's needed. You won't hear distortion or compression: just clean, endless sound that never clips, overheats or runs out of headroom.

Understanding the Equation

Without enough power, the dynamic scenes in movies lack the excitement of a movie theater experience. When your system runs out of what is called 'dynamic headroom', it often clips, adding distortion to the signal and deflating the sonic energy of the scene in front of you. But when you feed your system pure, clean power, those same scenes come to life with a realism you may have never experienced before. Amp power can be a bit confusing to understand because there are a number of specifications that need to be looked at together to determine exactly how much power you have available for music and movie playback. The standard way power is measured for an amplifier is a steady tone at 1 kHz into a resistor at either 2 ohms, 4 ohms, or 8 ohms and to a maximum distortion of 1%. This gives some consistency for comparison purposes but does not give us the whole story we need to know to determine how much power we actually have available for the dynamic playback of music and movies. Unfortunately, it can also cause a race between companies to get the highest possible wattage number when measured this way at the expense of the more important number, which includes time and distortion, generally referred to as clean dynamic headroom. Since music and movie soundtracks are never playing a constant tone at one power level the important thing to know is what happens when the amplifier is asked to play a very loud dynamic peak for a fraction of a second over and over again. Power is logarithmic, meaning an amplifier must double its wattage output for every 3 dB more of output you want to have. So if we use 15 dB as a desired amount of headroom for music and movie playback you will need a lot of power available for brief moments to achieve this without having the amplifier go into clipping or shutdown:

This makes it very important to know what happens when the amplifier is asked to exceed its rated continuous output for a brief moment in time. If the amplifier has no ability to produce short bursts of power beyond its rated continuous power then you can look at this equation in reverse. Let’s say the amplifier has a rated continuous output of 400 watts with no headroom above this, which is typical of amplifiers that use switching power supplies:

If the amplifier is using a switching power supply with a max rated power equal to the continuous rated power of the amplifier, with one channel driven, and little or no capacitance storage you will be severely limited in your real output capabilities to all channels. Virtually all receivers are constructed and specified this way. All Axiom power amplifiers use what is called a linear power supply. This combination of a toroidal transformer and lots of storage capacitance means you have usable power many times the continuous rated power and that means loud and clean listening for you.

The massive analog power supply partners with the Axiom Digital Amplifier to exceed 90% efficiency: compare that to the typical Class A/B design you find in most amplifiers that waste nearly half the output from the amplifier in heat! Think about the numbers: a typical wall plug is capable of producing 1800 watts on a regular 15 amp circuit. The Axiom Digital Amplifier is so efficient, you can easily achieve 1500 watts of total continuous output: approximately double what a Class A/B design can provide. Add to this the massive capacitance storage in all Axiom amplifiers and you have available clean dynamic power available to your system many times the Continuous RMS wattage rating.

Which Axiom Amplifier Is Best For Me?

For rooms under 2,500 cubic feet and normal sort of volume levels the 1000 series is perfect.

For rooms over 2,500 cubic feet or if you like to really crank it once and awhile then the 1250 series is the one.

For huge rooms and/or the desire to the nirvana of loud and clean the 1500 series is the answer.

Axiom amplifiers can be connected to either the pre-amp outputs on your receiver (check your receiver has these) or to a stand-alone pre-amp processor.